About Gary Friedman

Compositions

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Gary Friedman Compositions

Music Style Description Instrumentation Media
Orchestra

Little Suite for Orchestra
Sarabande, March, Fugue
The Sarabande is serious and melodic, the March is cute, and the Fugue is an orchestrated version of the Fugue for Four Winds. The Sarabande and March reduced to oboe and piano may be heard under Seven Easy Melodies for Oboe
Duration: 10 minutes Year: 2000

 

Orchestra

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Band Fantasy on a March
With frequent changes between major and minor, the stirring march themes reappear as romantic melodies. Of special interest are the trumpet and piano solos, and a section for oboe, clarinet, horn, bassoon and piano, in homage to Mozart and Beethoven, who wrote beautiful quintets for this combination of instruments.
Duration: 5 minutes  Year: 2000

Concert band
with Piano

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Concerto Alpenhorn Variety Pack
This contains music in several styles, both slow and lively, for solo alpenhorn and orchestra.  A piano is included in the orchestra, but if not available, other instruments are provided with cues for the piano passages.  There have been three performances in 2006 — two indoor and one outdoor.
Duration: 6 or 8 minutes, depending on whether an optional repeat is taken.  2005

Alpenhorn and
Orchestra with Piano

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Concerto Theme and Variations for Er Hu and Orchestra
The er hu is a two-string Chinese violin, which I heard during a visit to China in August 2006. I liked the bold tone very much and decided to compose a piece for it. The theme and ending are written in Chinese style using the pentatonic or five-tone scale. The six variations move into Western harmonies and a variety of rhythms. The world premier was held on February 10, 2008. Matt Springer is soloist with the San Francisco Civic Symphony.
Duration:About 11 minutes.  200
7

 

 

Concerto Concerto for Trumpet and Orchestra
The first and third movements are lively, the second is reflective. There are several solo passages for other players. This was first performed by professional musicians including John Thomas, trumpet soloist, at Bard College on August 1, 2003. The orchestra was tiny, with only one player per string part, one each of flute, oboe/English horn, clarinet, bassoon, French horn, trombone, and two percussionists. The audio recording is provided here. There have been four other performances: soloist Richard Welker with the San Francisco Civic Symphony, February 8, 2004, soloist William Essert with piano reduction played by Mary Sharman, May 23, 2004, Tom Dickerson, soloist, with the College of Marin Orchestra, May 14, 2005, and Brian Hertz, soloist, with the San Francisco Composers Chamber Orchestra, June 9, 2007.
Duration: about 15
minutes  Year: 2003
Trumpet, either B flat, C, or E flat, and orchestra. Chamber orchestra is sufficient. Piano reduction of orchestra score is available.


Allegro


Adagio


Allegro

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Chorus At My Window
A musical setting of the poem by Linda Pastan, this choral work is about winter and the feelings evoked by falling snow. The string orchestra accompaniment was written to satisfy contest rules, but an organ fills the bill quite well. There is also a piano accompaniment version which was performed by the College Chorus of the College of Marin on December 8, 2005.
Duration: 3 minutes  Year: 2001
Chorus (soprano, alto tenor, bass) and String Orchestra, Organ or Piano

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Vocal The Great Sea
This is a musical setting of the poem by Elizabeth Spires. The horn passages and undulating piano accompaniment contribute to the oceanic feeling communicated by this haunting introspective poem.
Duration: 10 minutes  Year: 2000  
Musicians: Paula Arciniega - mezzo-soprano, Alicia Telford - horn, John McCarthy- piano
Vocal - mezzo-soprano or contralto, French Horn, Piano

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Vocal blizzard
This is a musical setting of another winter poem by Linda Pastan. The falling cold, crisp snow and the blowing winds are depicted in the piano accompaniment.
Duration: 4 minutes  Year: 2001 
Vocal - mezzo-soprano or contralto, Piano

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Vocal I Do Not Love Thee Three Ways
A musical setting of the poem, I Do Not Love Thee, by Caroline Elizabeth Sarah Norton. The music attempts to express the speaker's denial of the obvious. There are three musical settings. The first version is spare, with only flute accompaniment. The second is in baroque style with flute and cello accompaniment. The third is a blues-style version with piano added.
Duration: 4 minutes  Year: 2002 
Musicians: Paula Arciniega mezzo-soprano, Stephanie McNab - flute, Emil Miland - cello, John McCarth - piano
Flute/Piccolo, Cello and Piano.
Vocal - mezzo-soprano or contralto


Adagio


Moderato


Swing

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Vocal Sophie's Children's Songs
Sophie Friedman, my granddaughter, wrote 4 short poems for school when she was 8 years old. I set these to music in the form of little children's songs. The song shown with View First Page is Winter-Summer Diamante. The audio provided is of Halloween. A diamante is a diamond-shaped poem starting with one word in the first line and ending with one word in the last line.
Duration: about 2 minutes for each of the 4 songs  Year: 2002 
Musicians: *Paula Arciniega - mezzo-soprano, John McCarthy - piano
Vocal - mezzo-soprano or contralto and Piano


Halloween

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all proceeds go to Sophie

Vocal Windmill Song
This was written by invitation to be played by the San Francisco Civic Symphony at a ground-breaking ceremony for restoration of a windmill in Golden Gate Park in San Francisco. The original poem, set to music here was written by Lisa Yanover. It has been sung three times by John Kendall Bailey, once with orchestra, once with wind ensemble, and once with piano.
Duration: 7 minutes Year: 2004 
Vocal - Baritone and orchestra. The orchestra score has also been reduced to a 14-piece wind ensemble plus timpani and simply to a piano accompaniment.

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Vocal Adam's Task
This is a musical setting of the whimsical poem, Adam's Task, by John Hollander. The musical depiction of many of the imaginary animals named by Adam is humorous.
Duration: 8 minutes Year:
1999 
Baritone, Clarinet in A, Piano
Cello with Piano Variations on Eliahu, a Passover Theme
The form and harmonies of this piece are mostly traditional, but there are a few surprises. There is a "cantorial" cello cadenza.
Duration: 8 minutes Year: 1998 
Cello, Piano

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Oboe with Piano Autumn
The melodies are romantic. This piece won First Prize in the Composers Today Competition, Adult Division, Music Teachers Association of California, 1999.
Duration: 3 minutes Year: 1999 
Musicians: Janet Popesco Archibald -oboe, John McCarthy - piano
Oboe,Piano

 

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Oboe with Piano Seven Easy Melodies for Oboe with Piano Accompaniment
These were written at the suggestion of Janet Popesco Archibald, my oboe teacher, who expressed a need for more nice pieces for oboe students early in their training. Because of these students' relatively poor endurance, the piano takes over the melodies in places to give the oboist opportunities to rest. They are suitable for beginning and intermediate level students, both young and adult. Piano cues appear in the oboe part so more of the melodies can be played on the oboe when appropriate.

First Melody is derived from the cheerful parts of First Melodies (above) with the rhythm simplified. Belvoir is a piece I composed as a teenager but never wrote down before. It is named after the street I lived on at the time, in University Heights, Ohio. It may well be the most beautiful of the seven melodies. The two Hamelin pieces are from my Pied Piper of Hamelin (above). Hamelin Before is the happy melody in C major depicting Hamelin before the Pied Piper arrived. Hamelin After depicts Hamelin after the town lost its children. The notes of the melody are the same but they are played slower and the harmony is sad, in A minor. In the original woodwind quintet version, the Hamelin After melody is played on English horn. The Sarabande and March melodies are from Little Suite for Orchestra (above) and March Fantasy is derived from Fantasy on a March (above).

Audio recordings are available here of all seven melodies. Belvoir appears twice, first played with the other six melodies, all played by Heather Morris, piano and me. The second Belvoir is played by Janet Popesco Archibald, oboe, and John McCarthy, piano.
Duration: 2 minutes each  Year: 2000 
Musicians: Gary Friedman - oboe, Heather Morris - piano
*Belvoir Musicians: Janet Popesco Archibald - oboe, John McCarthy - piano

Oboe,Piano


First Melody


Belvoir


Hamelin Before


Hamelin
After


Sarabande


March


March Fantasy


* Belvoir

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Click to purchase from Forrests MusicClick to purchase from Charels Double Reed Company

 

English Horn and Harp (or Piano) Reflections
A slow, romantic, introspective piece that is attuned to the special characteristics of the two instruments. The harp part may be played on piano.
Duration: 4 minutes Year: 2002 
English horn, Harp Purchase Options
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Winds (Chamber) The Pied Piper of Hamelin
The settings, characters and events in this classic legend are depicted in the music. The narrative is the poem by Robert Browning, somewhat shortened and edited by Lawrence James, Headmaster of Black Pine Circle School in Berkeley, CA. This has been performed at several schools and is recommended for both elementary and middle schools.  It was professionally recorded in 2005 by Citywinds with Lawrence James narrating, and you may download and listen to 2 of the 10 tracks.
Duration: 20 minutes Year: 1999 
Musicians: Esther Landau - flute/ piccolo, Laura Reynolds -oboe/English horn, Dania Esterman - clarinet, Zachary Limacher - horn, Charles Moehnke - bassoon.
Woodwind quintet and narrator (Flute doubles on Piccolo and Oboe doubles on English horn)


Track 1
Hamelin Town


Track 6
Pied Piper Leads
The Rats Out

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Winds (Chamber) Fugue for Four Winds
This engaging fugue is fun to play and nice to listen to. It won Second Prize in the Composers Today Competition, Adult Division, Music Teachers Association of California, 1999. Groups that have performed it include a double-reed quartet (oboe, two English horns, bassoon), woodwind quartet (flute, English horn, clarinet, bassoon-as in the accompanying audio), saxophone quartet (soprano, alto, tenor, baritone), and clarinet quartet (three B flats, bass).
Duration: 4 minutes Year: 2000 
Musicians: Stephanie McNab - flute, Janet Popesco Archibald - English horn, Carey Bell - clarinet, Jenny Gunter - bassoon

Woodwinds - several possible combinations

also transcribed
for Organ

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Other

Winds (Chamber) Fugue #2
This is my second fugue for four winds. It is lively like the first, but the players and listeners are provided some respite by a chorale-like passage in the middle.
Duration: 4 minutes Year: 2001 

Woodwinds - several possible combinations

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Other

 

Winds (Chamber) Horn (or Bassoon) Wind Quartets
These quartets were written for flute, oboe, clarinet and horn because there are so few pieces for this combination. If a woodwind quintet group assembles and the bassoonist is late or cannot attend, there is little that can be played by all the others. The horn part can also be played on a bassoon; a bassoon part in concert pitch is provided. Thus, these pieces can be played by a standard woodwind quartet. Also provided is the clarinet part transposed for English horn. Since the flute part can be played on oboe, these pieces can be played by a double reed quartet consisting of two oboes, English horn and bassoon. I have written 64 of these and the first 3 are sold together. The second set of 3 will be available in July, 2006. You may download and listen to #1 and #2 as played by Citywinds.
Duration: 5 minutes each  Year: 2004 for the first 3, 2005-2006 for the second 3.
Musicians: Esther Landau-flute, Laura Reynolds-oboe, Bruce Foster-clarinet, Zachary Limacher-horn.

Flute, Oboe, B flat Clarinet, horn. A transposed horn part for Bassoon and a transposed Clarinet part for English horn are also provided


Quartet #1


Quartet #2

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Winds and Piano (Chamber) First Melodies
This piece contains contrasting mysterious and joyous sections.
Duration: 5 minutes  Year: 1999

Trumpet, English horn, Piano

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Winds and Piano (Chamber)

Sextet for Winds and Piano
The first movement is an arrangement for these instruments of Fantasy on a March (above). The second movement is slow and romantic and, I think, one of the best pieces I have composed. The third movement is light-hearted and contains a contrapuntal section with substantial dissonance.
Duration: 15 minutes  Year: 2001
Musicians: Stephanie McNab -flute, Janet Popesco Archibald - oboe, Carey Bell - clarinet, Alicia Telford - horn, Jenny Gunter - bassoon,
John McCarthy - piano

Flute (doubling on Piccolo), Oboe, Clarinet, Horn, Bassoon, Piano


Moderato


Andante


Lively

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Winds and Piano (Chamber) Rondo Giocoso
This is probably the liveliest, most fun piece that I have written. It is mostly in 5/8 time and contains a nice fugue.
Duration: 5 minutes  Year: 2001
Musicians: Janet Popesco Archibald - oboe, Alicia Telford - horn, John McCarthy -piano

trio for oboe
or trumpet, French horn
or bassoon, piano

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Mixed Chamber Quartet for English Horn and Strings
There are two movements, Adagio and Allegro.  The piano reduction allows this to be played as an English horn and piano duet.
Duration: 10 minutes; each movement 5 minutes.  Year: 2006

English horn, violin, viola, cello; piano reduction of the string parts

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